The babes in the woods of Eskil Vogt’s “The Innocents” are some of the scariest kids you’ll see on movie screens this year. Bored over the summer holidays and living in a large Norwegian housing development, they while away the long summer hours inflicting a kind of casual cruelty on animals and other children, motivated by childish curiosity, subconscious trauma and newly discovered psychic abilities. With a careful economy of storytelling, Vogt lays out how and why these kids end up trapped in this destructive cycle.
