Steven Soderbergh

Since his flirtation with retirement about a decade ago, filmmaker Steven Soderbergh has been working at an almost feverish pace, cranking out film after film, usually genre exercises made swiftly, with light, adaptable technology such as iPhones (“Unsane,” “High Flying Bird”). His latest film, “Presence,” is another cinematic experiment, a ghost story seen from the point of view of, well, the ghost.